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Bell Hooks

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American writer and activist (1952–2021)

bong hooks
Bell hooks, October 2014.jpg

bell hooks in October 2014
Built-in

Gloria Jean Watkins


(1952-09-25)September 25, 1952

Hopkinsville, Kentucky, U.S.
Died Dec xv, 2021(2021-12-15) (aged 69)

Berea, Kentucky, U.South.
Education
  • Stanford University (BA)
  • University of Wisconsin–Madison (MA)
  • Academy of California, Santa Cruz (PhD)
Occupation
  • Author
  • academic
  • activist
Years active 1978–2018
Known for Oppositional gaze

Notable work
  • Ain't I a Woman?: Blackness Women and Feminism (1981)
  • Feminist Theory: From Margin to Center (1984)
  • All Almost Dearest: New Visions (2000)
  • We Real Absurd: Black Men and Masculinity (2004)
Website spider web.archive.org/web/20210108230404/http://world wide web.bellhooksinstitute.com/

Gloria Jean Watkins (September 25, 1952 – December 15, 2021), better known by her pen name bell hooks,[one] was an American writer and social activist who was Distinguished Professor in Residence at Berea College, best known for her writings on race, feminism, and class.[2] [3] The focus of hooks's writing was to explore the intersectionality of race, capitalism, gender, and what she described as their ability to produce and perpetuate systems of oppression and grade domination. She published around 40 books, including works that ranged from essays and poetry to children's books. She published numerous scholarly articles, appeared in documentary films, and participated in public lectures. Her work addressed love, race, class, gender, fine art, history, sexuality, mass media, and feminism.[4]

A celebrated academic, hooks taught at several institutions including Stanford University, Yale University, and The City College of New York, before joining Berea College in Berea, Kentucky, in 2004,[v] where she founded the bell hooks Institute in 2014.[6] Her pen proper noun was borrowed from her maternal cracking-grandmother, Bong Blair Hooks.[7]

Early life [edit]

Gloria Jean Watkins was built-in on September 25, 1952, in Hopkinsville,[eight] a pocket-sized, segregated town in Kentucky,[nine] to a working-course African-American family unit. Watkins was i of half-dozen children born to Rosa Bell Watkins (née Oldham) and Veodis Watkins.[4] Her father worked as a janitor and her mother worked as a maid in the homes of white families.[4] In her memoir Bone Black: Memories of Girlhood (1996), Watkins would write of her "struggle to create self and identity" while growing up in "a rich magical world of southern black civilization that was sometimes paradisiacal and at other times terrifying."[10]

An avid reader (with poets William Wordsworth, Langston Hughes, Elizabeth Barrett Browning and Gwendolyn Brooks among her favorites),[11] Watkins was educated in racially segregated public schools, later moving to an integrated school in the belatedly 1960s.[12] She graduated from Hopkinsville High School before obtaining her BA in English from Stanford University in 1973,[thirteen] and her MA in English from the University of Wisconsin–Madison in 1976.[14] During this time, Watkins was writing her volume Ain't I a Adult female: Black Women and Feminism, which she began at the age of 19 (ca. 1971)[fifteen] and then published in 1981.[sixteen]

In 1983, after several years of teaching and writing, she completed her doctorate in English language at the University of California, Santa Cruz, with a dissertation on writer Toni Morrison entitled "Keeping a Hold on Life: Reading Toni Morrison'south Fiction".[17] [eighteen]

Instruction and writing [edit]

She began her academic career in 1976 as an English professor and senior lecturer in ethnic studies at the University of Southern California.[19] During her iii years in that location, Golemics, a Los Angeles publisher, released her first published work, a chapbook of poems titled And There We Wept (1978),[20] written under the name "bell hooks". She had adopted her maternal nifty-grandmother's proper noun as her pen name because, as she later put information technology, her great-grandmother "was known for her snappy and bold natural language, which I profoundly admired,"[ citation needed ]. She also said she put the name in lowercase letters both to honor her dandy-grandmother[21] and to convey that what is most of import to focus upon is her works, not her personal qualities: the "substance of books, not who I am."[22] About the unconventional lowercasing of her pen name, hooks added that, "When the feminist movement was at its zenith in the late '60s and early '70s, there was a lot of moving away from the idea of the person. Information technology was: Let's talk almost the ideas behind the piece of work, and the people matter less... Information technology was kind of a gimmicky thing, just lots of feminist women were doing it."[23]

In the early on 1980s and 1990s, hooks taught at several mail-secondary institutions, including the University of California, Santa Cruz, San Francisco State University, Yale (1985 to 1988, as assistant professor of African and Afro-American studies and English),[24] Oberlin College (1988 to 1994, as associate professor of American literature and women'southward studies), and, commencement in 1994, as distinguished professor of English at City College of New York.[25] [26]

S End Press published her first major work, Ain't I a Adult female? Black Women and Feminism, in 1981, though she had written it years before while nonetheless an undergraduate.[12] In the decades since its publication, Ain't I a Adult female? has been recognized for its contribution to feminist thought, with Publishers Weekly in 1992 naming it "One of the 20 well-nigh influential women'southward books in the last 20 years."[27] Writing in The New York Times in 2019, Min Jin Lee said that Ain't I a Adult female "remains a radical and relevant work of political theory. hooks lays the groundwork of her feminist theory by giving historical evidence of the specific sexism that black female person slaves endured and how that legacy affects black womanhood today."[24] Own't I a Woman? examines themes including the historical impact of sexism and racism on blackness women, devaluation of blackness womanhood,[28] media roles and portrayal, the education organization, the idea of a white-supremacist-capitalist-patriarchy and the marginalization of blackness women.[29]

At the same time, hooks became meaning as a leftist and postmodern political thinker and cultural critic.[30] She published more than than 30 books,[2] ranging in topics from black men, patriarchy, and masculinity to self-help; engaged pedagogy to personal memoirs; and sexuality (in regards to feminism and politics of aesthetics and visual culture). Reel to Real: race, sex, and form at the movies (1996) collects motion-picture show essays, reviews, and interviews with flick directors.[31] In The New Yorker, Hua Hsu said these interviews displayed the facet of hooks'southward work that was "curious, empathetic, searching for comrades".[four]

In Feminist Theory: From Margin to Centre (1984), hooks develops a critique of white feminist racism in second-moving ridge feminism, which she argued undermined the possibility of feminist solidarity beyond racial lines.[32]

Every bit hooks argued, advice and literacy (the ability to read, write, and recall critically) are necessary for the feminist movement because without them people may not grow to recognize gender inequalities in society.[33]

In 2002, hooks gave a commencement speech at Southwestern University. Eschewing the congratulatory way of traditional kickoff speeches, she spoke against what she saw as government-sanctioned violence and oppression, and admonished students who she believed went along with such practices.[34] [35] The Austin Chronicle reported that many in the audience booed the speech communication, though "several graduates passed over the provost to shake her hand or give her a hug."[34]

In 2004, she joined Berea Higher as Distinguished Professor in Residence.[36] Her 2008 book, belonging: a culture of identify, includes an interview with author Wendell Berry likewise as a discussion of her move back to Kentucky.[37] She was a scholar in residence at The New Schoolhouse on three occasions, the last fourth dimension in 2014.[38] Likewise in 2014, the bong hooks Establish was founded at Berea College,[39] where she donated her papers in 2017.[40]

She was inducted into the Kentucky Writers Hall of Fame in 2018.[ii]

Personal life [edit]

Regarding her sexual identity, hooks described herself as "queer-pas-gay".[41] [42] [43] She uses the term "pas" from the French linguistic communication, translating to "not" in the English language. hook describes being queer in her own words as "not who yous're having sex with, but about being at odds with everything around it".[44] She states, "As the essence of queer, I call back of Tim Dean's work on being queer and queer not as being about who y'all're having sex with – that can be a dimension of it – but queer as beingness near the self that is at odds with everything around it and it has to invent and create and observe a place to speak and to thrive and to live."[45]

During an interview with Abigail Bereola in 2017, hooks revealed to Bereola that she was unmarried while they discussed her love life. During the interview, hooks told Bereola, "I don't have a partner. I've been chaste for 17 years. I would dear to take a partner, but I don't remember my life is less meaningful."[46]

Death [edit]

On December xv, 2021, hooks died from kidney failure at her home in Berea, Kentucky, aged 69.[2] [eight]

Filmography [edit]

  • Blackness Is... Black Ain't (1994)[47]
  • Give a Damn Once again (1995)[48]
  • Cultural Criticism and Transformation (1997)[13]
  • My Feminism (1997)[49]
  • Voices of Power (1999)[50]
  • BaadAsssss Cinema (2002)[51]
  • I Am a Man: Black Masculinity in America (2004)[52]
  • Happy to Be Nappy and Other Stories of Me (2004)[53]
  • Is Feminism Expressionless? (2004)[54]
  • Fierce Light: When Spirit Meets Action (2008)[55]
  • Occupy Love (2012)[56]
  • Hillbilly (2018)[57]

Awards and nominations [edit]

  • Yearning: Race, Gender, and Cultural Politics: The American Volume Awards/ Before Columbus Foundation Honour (1991)[58]
  • bell hooks: The Author's Award from the Lila Wallace–Reader'due south Assimilate Fund (1994)[59]
  • Happy to Be Nappy: NAACP Epitome Honor nominee (2001)[60]
  • Homemade Love: The Bank Street College Children's Book of the Year (2002)[61]
  • Salvation: Black People and Love: Hurston/Wright Legacy Award nominee (2002)[62]
  • bell hooks: Utne Reader 'south "100 Visionaries Who Could Change Your Life"[63] [64]
  • bong hooks: The Atlantic Monthly 'south "One of our nation's leading public intellectuals"[63]
  • bell hooks: Fourth dimension 100 Women of the Yr, 2020[65]

Select bibliography [edit]

Books [edit]

  • And At that place Nosotros Wept: poems. Los Angeles, California: Golemics. 1978. OCLC 6230231.
  • Own't I a Woman?: Blackness women and feminism. Boston, Massachusetts: South End Press. 1981. ISBN978-0-89608-129-1.
  • Feminist Theory: From Margin to Eye. South Stop Printing. 1984. ISBN978-0-89608-613-v.
  • Talking Dorsum: Thinking feminist, thinking Black. Between the Lines. 1989. ISBN978-0-921284-09-3. Excerpted in Busby, Margaret, ed. (1992). Daughters of Africa. New York, NY: Pantheon Books.
  • Yearning: Race, Gender, and Cultural Politics. Boston, Massachusetts: South End Printing. 1990. ISBN978-1-ane-38821-75-0.
  • With Cornel West, Breaking bread: insurgent Black intellectual life . Boston, Massachusetts: South Terminate Press. 1991. ISBN978-0-89608-414-viii.
  • Black Looks: Race and representation. Boston, Massachusetts: South End Press. 1992. ISBN978-0-89608-434-half-dozen.
  • Sisters of the Yam: Black women and self-recovery. Boston, Massachusetts: South Terminate Press. 1993. ISBN978-1138821682.
  • Didactics to transgress: instruction every bit the exercise of freedom. New York: Routledge. 1994. ISBN978-0-415-90808-5.
  • Outlaw Civilisation: Resisting Representations. New York: Routledge. 1994. ISBN978-0-415-90811-5.
  • Killing rage: ending racism . New York: Henry Holt and Co. 1995. ISBN978-0-8050-5027-1.
  • Fine art on my mind: visual politics . New York: The New Press. 1995. ISBN978-1-56584-263-2.
  • Reel to Real: Race, Sex, and Class at the Movies. 1996. ISBN978-0-415-91824-four.
  • Bone Black: Memories of Girlhood. New York: Henry Holt & Co. 1996. ISBN978-0-8050-4146-0.
  • Wounds of Passion: A writing life. New York: Henry Holt & Co. 1997. ISBN978-0-8050-5722-5.
  • Remembered Rapture: the writer at work. Henry Holt and Co. 1999. ISBN978-0-8050-5910-6.
  • hooks, bong (2000). Justice: childhood honey lessons. ISBN978-0-688-16844-v.
  • All About Honey: New Visions. New York: William Morrow. 2000. ISBN978-0-06-095947-0.
  • Feminism is for everybody: passionate politics . Cambridge, Massachusetts: Due south Cease Press. 2000. ISBN978-0-89608-628-9.
  • Where we stand: class matters (PDF). Routledge. 2000. ISBN978-0-415-92913-4.
  • Salvation: Blackness people and love. New York: Perennial. 2001. ISBN978-0-06-095949-4.
  • Communion: the female search for love . New York, NY: Perennial. 2002. ISBN978-0-06-093829-1.
  • Educational activity community: a pedagogy of hope . New York: Routledge. 2003. ISBN978-0-415-96818-8.
  • Rock my soul: Blackness people and self-esteem. New York, NY: Atria Books. 2003. ISBN978-0-7434-5605-0.
  • The will to alter: men, masculinity, and love. New York: Atria Books. 2004. ISBN978-0-7434-5607-four.
  • Infinite. 2004. [66] [a]
  • Nosotros Real Cool: Black Men and Masculinity. New York, NY: Routledge. 2004. ISBN978-0-203-64220-7.
  • Soul Sister: Women, Friendship, and Fulfillment. Cambridge, Massachusetts: South End Press. 2005. ISBN978-0-89608-735-iv.
  • Witness. 2006. [66] [a]
  • With Amalia Mesa-Bains, Homegrown: engaged cultural criticism. Cambridge, Massachusetts: South End Printing. 2006. ISBN978-0-89608-759-0.
  • Belonging: a culture of place. New York, NY: Routledge. 2009. ISBN978-0-203-88801-viii.
  • Teaching Disquisitional Thinking: practical wisdom. New York, NY: Routledge. 2010. ISBN978-0-415-96820-i.
  • Appalachian Elegy: poetry and identify. Kentucky Voices Series. Lexington: University Press of Kentucky. 2012. ISBN978-0-8131-3669-ane.
  • Writing Beyond Race: Living Theory and Do. New York, NY: Routledge. 2013. ISBN978-0-415-53914-two.
  • With Stuart Hall, Uncut Funk: A Contemplative Dialogue, Foreword by Paul Gilroy. New York, NY: Routledge. 2018. ISBN 978-1138102101.

Children'south books [edit]

  • Happy to be Nappy. Chris Raschka (illustrator). Trivial, Dark-brown Books for Immature Readers. 1999. ISBN978-0-7868-2377-2. {{cite book}}: CS1 maint: others (link)
  • Homemade Beloved. New York: Hyperion Books for Children. 2002. ISBN978-0786825530.
  • Be boy buzz . New York: Hyperion Books for Children. 2002. ISBN978-0786816439.
  • Peel once more. Chris Raschka (illustrator). New York: Hyperion Books for Children. 2004. ISBN9780786808250. {{cite book}}: CS1 maint: others (link)
  • Grump groan growl. Chris Raschka (illustrator). New York: Hyperion Books for Children. 2008. ISBN978-0786808168. {{cite book}}: CS1 maint: others (link)

Book chapters [edit]

  • hooks, bell (1993), "Blackness women and feminism", in Richardson, Laurel; Taylor, Verta A. (eds.), Feminist frontiers III, New York: McGraw-Hill, pp. 444–449, ISBN978-0075570011.
  • hooks, bell (1996), "Continued devaluation of Black womanhood", in Jackson, Stevi; Scott, Sue (eds.), Feminism and sexuality: a reader, New York: Columbia University Printing, pp. 216–223, ISBN978-0231107082.
  • hooks, bell (1997), "Sisterhood: political solidarity between women", in McClintock, Anne; Mufti, Aamir; Shohat, Ella (eds.), Dangerous liaisons: gender, nation, and postcolonial perspectives, Minnesota, Minneapolis: University of Minnesota Printing, pp. 396–414, ISBN978-0816626496.
  • hooks, bell (2004), "Selling hot pussy: representations of Black female person sexuality in the cultural market", in Richardson, Laurel; Taylor, Verta A.; Whittier, Nancy (eds.), Feminist frontiers (fifth ed.), Boston: McGraw-Loma, pp. 119–127, ISBN978-0072824230. Pdf.
  • hooks, bong (2005), "Black women: shaping feminist theory", in Cudd, Ann E.; Andreasen, Robin O. (eds.), Feminist theory: a philosophical anthology, Oxford, UK; Malden, Massachusetts: Blackwell Publishing, pp. 60–68, ISBN978-1405116619.

Explanatory notes [edit]

  1. ^ a b This may be a working title. Encounter talk page.

References [edit]

Citations [edit]

  1. ^ Dinitia Smith (September 28, 2006). "Tough arbiter on the web has guidance for writers". The New York Times. p. E3. Archived from the original on July 3, 2018. Retrieved Feb 21, 2017. But the Chicago Manual says it is non all right to capitalize the name of the writer bell hooks because she insists that it exist lower example.
  2. ^ a b c d Knight, Lucy (December 15, 2021). "bong hooks, author and activist, dies aged 69". The Guardian. Archived from the original on December 15, 2021. Retrieved December 15, 2021.
  3. ^ The Editors of Encyclopaedia Britannica. "bell hooks | Biography, Books, & Facts | Britannica". www.britannica.com. Encyclopaedia Britannica. Retrieved March 31, 2022.
  4. ^ a b c d Hsu, Hua (December 15, 2021). "The Revolutionary Writing of bell hooks". The New Yorker. Archived from the original on December xvi, 2021. Retrieved December 16, 2021.
  5. ^ "Get to Know bell hooks". The bell hooks eye . Retrieved December 17, 2021.
  6. ^ "Nigh the bong hooks plant". bong hooks constitute . Retrieved December 17, 2021. , via archive.org
  7. ^ hooks, bell, "Inspired Eccentricity: Sarah and Gus Oldham" in Sharon Sloan Fiffer and Steve Fiffer (eds), Family unit: American Writers Remember Their Ain, New York: Vintage Books, 1996, p. 152.

    hooks, bell, Talking Back, Routledge, 2014 [1989], p. 161.

  8. ^ a b Risen, Clay (December fifteen, 2021). "bell hooks, Pathbreaking Black Feminist, Dies at 69". The New York Times. ISSN 0362-4331. Archived from the original on December xv, 2021. Retrieved December 15, 2021.
  9. ^ Medea, Andra (1997). "hooks, bong (1952–)". In Hine, Darlene Clark (ed.). Facts on File Encyclopedia of Blackness Women in America. New York: Facts on File. pp. 100–101. ISBN0-8160-3425-7. OCLC 35209436.
  10. ^ "Bone Black". Kirkus Reviews. August 15, 1996. Retrieved December 22, 2021.
  11. ^ Busby, Margaret (December 17, 2021). "bong hooks obituary | Trailblazing writer, activist and cultural theorist who made a pivotal contribution to Black feminist thought". The Guardian.
  12. ^ a b Le Blanc, Ondine E. (1997). "bell hooks 1952–". In Bigelow, Barbara Carlisle (ed.). Contemporary Black Biography. Vol. 5. Gale. pp. 125–129. ISBN978-i-4144-3543-five. ISSN 1058-1316. OCLC 527366247.
  13. ^ a b Kumar, Lisa, ed. (2007). "hooks, bell 1952–". Something about the Writer. Vol. 170. Gale. pp. 112–116. ISBN978-ane-4144-1071-5. ISSN 0276-816X. OCLC 507358041.
  14. ^ Scanlon, Jennifer (1999). Significant Contemporary American Feminists: A Biographical Sourcebook. Westport, CT: Greenwood Printing. pp. 125–132. ISBN978-0313301254.
  15. ^ "Remembering bell hooks (1952-2021)". December 2021.
  16. ^ "bell hooks | Biography, Books, & Facts". Encyclopedia Britannica. Archived from the original on August 23, 2020. Retrieved October 4, 2021.
  17. ^ hooks, bong (1983). Keeping a hold on life: reading Toni Morrison'south fiction (Thesis). OCLC 9514473. Archived from the original on December fifteen, 2021. Retrieved December 15, 2021. WorldCat.
  18. ^ hooks, bell (1983). Keeping a Hold on Life: Reading Toni Morrison's Fiction. University of California, Santa Cruz.
  19. ^ Hampton, Bonita (2007). "hooks, bell (1952–)". In Anderson, Gary 50.; Herr, Kathryn G. (eds.). Encyclopedia of Activism and Social Justice. Vol. 2. SAGE Publishing. pp. 704–706. doi:x.4135/9781412956215.n418. ISBN978-1-4129-1812-i.
  20. ^ Glikin, Ronda (1989). Black American Women in Literature: A Bibliography, 1976 through 1987. McFarland & Company. p. 73. ISBN0-89950-372-1. OCLC 18986103.
  21. ^ McGrady, Clyde (Dec 15, 2021). "Why bell hooks didn't capitalize her name". Washington Mail service. ISSN 0190-8286. Archived from the original on December xv, 2021. Retrieved December 21, 2021. Early on on, hooks, born Gloria Jean Watkins, wanted a way to honor her maternal great-grandmother while detaching herself from her work. She wrote dozens of books using her keen-grandmother's proper name but didn't capitalize it.
  22. ^ Williams, Heather (March 26, 2013). "bong hooks Speaks Upwards". The Sandspur. Archived from the original on February 28, 2021. Retrieved November 10, 2019 – via Issuu.
  23. ^ Lowens, Randy (February 14, 2018). "How Exercise You Practice Intersectionalism? An Interview with bong hooks". Black Rose/Rosa Negra Anarchist Federation. Archived from the original on Dec fifteen, 2021. Retrieved Dec 17, 2021.
  24. ^ a b Lee, Min Jin (February 28, 2019). "In Praise of bell hooks". The New York Times. ISSN 0362-4331. Archived from the original on Dec 15, 2021. Retrieved Dec 15, 2021.
  25. ^ Leatherman, Courtney (May nineteen, 1995). "The Real bell hooks". The Chronicle of Higher Education. Archived from the original on December 16, 2021. Retrieved December sixteen, 2021.
  26. ^ "bell hooks." Contemporary Authors Online, Gale, 2010. Literature Resource Center. Retrieved June 12, 2018.
  27. ^ Smith, Gerald L.; McDaniel, Karen Cotton fiber; Hardin, John A. (Baronial 28, 2015). The Kentucky African American Encyclopedia. University Press of Kentucky. ISBN978-0-8131-6067-2. Archived from the original on December sixteen, 2021. Retrieved December 16, 2021.
  28. ^ Guy-Sheftall, Beverly; Ikerionwu, Maria K. Mootry; hooks, bell (1983). "Black Women and Feminism: Two Reviews". Phylon. 44 (i): 84. doi:10.2307/274371. JSTOR 274371.
  29. ^ Wake, Paul; Malpas, Simon, eds. (June 19, 2013). The Routledge Companion to Disquisitional and Cultural Theory (PDF). Routledge. pp. 241–242. doi:10.4324/9780203520796. ISBN978-1-134-12327-8. Archived (PDF) from the original on Apr xiv, 2021. Retrieved December 16, 2021.
  30. ^ "bell hooks". Utne. Jan ane, 1995. Archived from the original on December 16, 2021. Retrieved Dec xvi, 2021.
  31. ^ Winchester, James (1999). "Reel to Real: Race, Sex, and Class at the Movies". The Journal of Aesthetics and Art Criticism. 57 (3): 388. doi:ten.2307/432214. JSTOR 432214.
  32. ^ Isoke, Zenzele (December 2019). "bong hooks: 35 Years from Margin to Center – Feminist Theory: From Margin to Center. By bell hooks. New York: Routledge, [1984] 2015. 180 pp. 23.96 (paperback)". Politics & Gender. 15 (4). doi:10.1017/S1743923X19000643. ISSN 1743-923X. S2CID 216525770. Archived from the original on April xvi, 2021. Retrieved Dec 15, 2021.
  33. ^ Olson, Gary A. (1994). "bong hooks and the Politics of Literacy: A Chat". Journal of Avant-garde Composition. 14 (1): 1–19. ISSN 0731-6755. JSTOR 20865945.
  34. ^ a b Apple, Lauri (May 24, 2002). "bell hooks Digs In". The Austin Chronicle. Archived from the original on December 22, 2013. Retrieved Dec 11, 2013.
  35. ^ "Postmarks – Southwestern Graduation Debacle". The Austin Chronicle. May 24, 2002. Archived from the original on October 15, 2014. Retrieved Dec eleven, 2013.
  36. ^ "Faculty and Staff". Berea College. Archived from the original on May 28, 2010. Retrieved December xv, 2021.
  37. ^ hooks, bell (January 1, 2009). Belonging: a civilisation of place. ISBN9780415968157. OCLC 228676700.
  38. ^ "bell hooks returns for Third Residency at The New School". The New Schoolhouse. September eighteen, 2014. Archived from the original on November 7, 2016. Retrieved December sixteen, 2021.
  39. ^ The Editors of Encyclopaedia Britannica; Adam Augustyn (December 15, 2021). "bell hooks | American scholar". Encyclopaedia Britannica . Retrieved December 18, 2021.
  40. ^ Burke, Minyvonne; Michelle Garcia (Dec 15, 2021). "Acclaimed author and activist bell hooks dies at 69". NBC News. Retrieved December 25, 2021.
  41. ^ Band, Trudy (December 15, 2021). "Queer Black Feminist Writer bell hooks Dies at 69". The Abet. Archived from the original on December 15, 2021. Retrieved Dec xv, 2021.
  42. ^ Goodman, Elyssa (March 12, 2019). "How bell hooks Paved the Way for Intersectional Feminism". them. Archived from the original on December 15, 2021. Retrieved December sixteen, 2021.
  43. ^ Peake, Amber (December 16, 2021). "'Queer-pas-gay' identity meaning explored as bell hooks dies aged 69". The Focus . Retrieved December 29, 2021.
  44. ^ "bong hooks - Are You Still a Slave? Liberating the Black Female Body | Eugene Lang Higher". The New Schoolhouse. Retrieved March 7, 2022.
  45. ^ Peake, Amber (December 16, 2021). "'Queer-pas-gay' identity pregnant explored equally bong hooks dies aged 69". TheFocus . Retrieved March 7, 2022.
  46. ^ Bereola, Abigail (December thirteen, 2017). "Tough Dear With bell hooks". Shondaland. Retrieved March 7, 2022.
  47. ^ Guthmann, Edward (May five, 1995). "Riggs' Eloquent Last Plea for Tolerance". SFGATE. Hearst. Archived from the original on March 7, 2016. Retrieved December 15, 2021.
  48. ^ McCluskey 2007, pp. 301–302.
  49. ^ "FeMiNAtions: Despite the pleas and its promotional tone, My Feminism makes a valid point". The Globe and Postal service. May 23, 1998. p. 18. ProQuest 1143520117.
  50. ^ "Voices of Power: African-American Women. Series Title: I Am Woman". The Pennsylvania State University. Archived from the original on December 16, 2021. Retrieved December 15, 2021.
  51. ^ McCluskey 2007, p. 57.
  52. ^ McCluskey 2007, p. 355.
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  63. ^ a b Rappaport, Scott (April 25, 2007). "May 10 bong hooks event postponed". UC Santa Cruz, Regents of the University of California. Archived from the original on August 18, 2021. Retrieved December 15, 2021.
  64. ^ "Become to Know bong hooks". The bell hooks center. Archived from the original on December 15, 2021. Retrieved December fifteen, 2021.
  65. ^ hampton, dream (March 5, 2020). "bell hooks: 100 Women of the Year". Fourth dimension. Archived from the original on December xv, 2021. Retrieved December xvi, 2021.
  66. ^ a b "bell hooks". Loyal Jones Appalachian Center. Archived from the original on December 8, 2015. Retrieved November thirty, 2015.

Cited sources [edit]

  • hooks, bell (2005). "Blackness women: shaping feminist theory". In Cudd, Ann Due east.; Andreasen, Robin O. (eds.). Feminist theory: a philosophical anthology. Oxford, UK; Malden, Massachusetts: Blackwell Publishing. pp. sixty–68. ISBN978-1405116619.
  • hooks, bell (1992). Black Looks: Race and Representation . Boston: Southward End Press. ISBN978-0-89608-434-6.
  • hooks, bong (1996). Reel to Real: Race, Sex, and Form at the Movies. New York: Routledge. ISBN978-0-415-91824-4.
  • McCluskey, Audrey Thomas (2007). Frame by Frame III: A Filmography of the African Diasporan Epitome, 1994–2004. Indiana University Press. ISBN978-0-253-34829-6. Archived from the original on January 15, 2017. Retrieved December 15, 2021.

Farther reading [edit]

  • hooks, bong; Tendency, David (1996), "Representation and democracy an interview", in Tendency, David (ed.), Radical republic: identity, citizenship, and the state, New York: Routledge, pp. 228–236, ISBN978-0415912471
  • Florence, Namulundah (1998). bell hooks' Engaged Pedagogy. Westport, CT: Bergin & Garvey. ISBN978-0-89789-564-four. OCLC 38239473.
  • Leitch et al., eds. "bong hooks". The Norton Anthology of Theory and Criticism. New York: W. W. Norton & Company, 2001. pp. 2475–2484. ISBN 0-393-97429-4
  • S End Press Collective, ed. (1998). "Disquisitional Consciousness for Political Resistance". Talking About a Revolution. Cambridge: South Finish Press. pp. 39–52. ISBN978-0-89608-587-9. OCLC 38566253.
  • Stanley, Sandra Kumamoto, ed. (1998). Other Sisterhoods: Literary Theory and U.S. Women of Colour. Chicago: Academy of Illinois Printing. ISBN978-0-252-02361-3. OCLC 36446785.
  • Wallace, Michele (1998). Black Pop Civilisation. New York: The New Printing. ISBN978-1-56584-459-9. OCLC 40548914.
  • Whitson, Kathy J. (2004). Encyclopedia of Feminist Literature . Westport, Connecticut: Greenwood Publishing Grouping. pp. 110–111. ISBN978-0-313-32731-five. OCLC 54529420.

External links [edit]

  • bell hooks articles published in Panthera leo'south Roar magazine.
  • Southward Terminate Press (books by hooks published by South Finish Press)
  • University of California, Santa Barbara (biographical sketch of hooks)
  • "Postmodern Blackness" (article by hooks)
  • Whole Terrain (articles by hooks published in Whole Terrain)
  • Challenging Capitalism & Patriarchy (interviews with hooks by Third World Viewpoint)
  • Ingredients of Dear (an interview with Ascent magazine)
  • bell hooks at IMDb
  • Appearances on C-SPAN
    • In Depth interview with hooks, May 5, 2002
  • Interview in Bomb magazine
  • "bell hooks remembered: 'She embodied everything I wanted to be'", The Guardian, December sixteen, 2021.
  • "For bong hooks", Media Diversified, December 16, 2021.
  • "Remembering bong hooks & Her Critique of 'Imperialist White Supremacist Heteropatriarchy'". Democracy Now!
  • "bell hooks - Are You However a Slave? Liberating the Black Female Body | Eugene Lang College", The New School (via YouTube), May half-dozen, 2014.

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Source: https://en.wikipedia.org/wiki/Bell_hooks

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